I've spent 17 years making images for advertising, mostly for agencies working on big brands. It started with retouching, then CGI, and these days a good part of my work involves AI as well.

Earlier this year Goodby Silverstein flew me to Mexico for the Doritos x F1 shoot. I was on set as the stills post-production consultant, making sure what we shot would work later, and then I built the backgrounds back home using AI and CGI. Around the same time I did the Audi x Orlando City key visuals for Ogilvy New York.

Before that I was a Senior Creative Retoucher at DDB Sydney, working on McDonald's, Westpac and Volkswagen, and before that I led a small team of retouchers and CGI artists at Limehouse. Both of those roles were remote from Brisbane, which is where I've always been based.

A few things I'm proud of: Adobe picked me to recreate a lost Rembrandt painting for their Lost Masterpieces campaign, and I was named in Lürzer's Archive 200 Best Digital Artists.

Most of my work is CGI, retouching and AI imagery for print, OOH and digital. Lately I've also been turning still images into motion, like product spins and short video ads made from a single shoot, which has been a lot of fun and saves clients a reshoot.

I mainly use Cinema 4D, Redshift and Photoshop, along with ComfyUI, Midjourney, Kling, Seedance, Runway and Google Flow on the AI side.

Happy to work remotely or travel for shoots. If you've got something in mind, send me a message
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AWARDS & RECOGNITION
Cannes Lion Silver - 2017
Adobe- Make a masterpiece campaign
Lurzers Archive - 200 Best Digital Artists Worldwide - 2023
Creative Gaga - Top 20 Digital Artists - 2020
Silver - Brisbane Advertising & Design Club Awards - 2015
Lenovo - For those who do
Finalist - Brisbane Advertising & Design Club Awards - 2014
Illustration - Crime & Punishment
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